Joseph Haydn: The Seven Last Words
of our Saviour on the Cross
Scaramouche Quartett
Werner Neugebauer · violin
Cornelia Löscher · violin
Firmian Lermer · viola
Detlef Mielke · violoncello
Werner Neugebauer · violin
Cornelia Löscher · violin
Firmian Lermer · viola
Detlef Mielke · violoncello
Edition: Authentic Performance
Booklet: de / en
Medium: SACD / Download
COV 20905
The seven last words of Jesus on the cross are an essential core of Christian faith. One of the best-knownmusical adaptations is that of Joseph Haydn, originally composed as seven orchestral interludes for a recitation of the biblical text. Soon afterwards Haydn approved the quartet version – it is no easy task for only four strings to explore its religious depths. The Scaramouche Quartet has achieved this with bravura on its debut SACD.
Joseph Haydn (1732-1809) | |||
The Seven Last Words of our Saviour on the Cross Seven string quartets, op.51, no. 1-6 Hob.III. 50-56 |
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1. | Introduzione: | Maestoso ed Adagio | 5:00 |
2. | Sonata I: | Largo „Pater, dimitte illis, non enim sciunt, quid faciunt.“ |
5:59 |
3. | Sonata II: | Grave e Cantabile „Amen dico tibi: Hodie mecum eris in Paradiso.“ |
8:03 |
4. | Sonata III: | Grave „Mulier ecce filius tuus, et tu, ecce mater tua!“ |
9:46 |
5. | Sonata IV: | Largo „Deus meus, utquid deleriquisti me?“ |
7:29 |
6. | Sonata V: | Adagio „Sitio!“ |
9:23 |
7. | Sonata VI: | Lento „Consummatum est!“ |
8:24 |
8. | Sonata VII: | Largo „In manus tuas, Domine, commendo spiritum meum.“ |
7:43 |
9. | Il Terremoto: | Presto e con tutta la forza | 2:04 |
Tota time: | 1:03:51 |